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Variety (among others) is reporting that there will be a season four.
It is no surprise they’d want to keep it around– Hulu says THT “is the most watched show, original or acquired, on the streaming service.”
Margaret Atwood won the Booker Prize in 2000 for The Blind Assassin and is in the running again for the prize for her upcoming novel The Testaments, the sequel to The Handmaid’s Tale, which will be released on September 10. Atwood has been shortlisted for the Booker Prize five times, first for The Handmaid’s Tale in 1986, when she lost out to Kingsley Amis, and most recently in 2003 for Oryx and Crake.
The Guardian reports that 13 finalists were chosen among 131 novels for the longlist. Previous winner Salman Rushdie is also on the longlist (Rushdie won in 1981 for Midnight’s Children). Among the other eleven are the American-born Lucy Ellmann (who moved to England as a teenager), English writer Jeanette Winterson, Nigerian author Chigozie Obioma, and Irish author Kevin Barry.
According to the New York Times, “a ferocious nondisclosure agreement” prevented the prize’s judges from revealing any of the plot of The Testaments, but they did say it is “terrifying and exhilarating.”
A note about The Booker Prize:
The Booker is the most prestigious British literary award and comes with a handsome prize of £50,000. The prize was originally known as the Booker–McConnell Prize, when the Booker–McConnell company began sponsoring the prize in 1969. Later it became known as simply the Booker Prize. It was previously awarded to a full-length novel written in English by an author from the Commonwealth of Nations or Ireland. but now can be awarded to any English language novel published in the UK. As of June 1, 2019, the Booker Prize is now sponsored by the Crankstart Foundation of California not the Man Group as it was for the past 18 years (when it was referred to as the Man Booker Prize), and is known again as simply the Booker Prize.
Variety is reporting that the rights to Margaret Atwood’s first novel, 1969’s The Edible Woman, have been acquired by Entertainment One. Variety reports that eOne (On the Basis of Sex, Designated Survivor) will hold worldwide rights to the series in addition to producing it. Francine Zuckerman of Z Films and Karen Shaw of Quarterlife Crisis Productions will serve as executive producers.
What better way to celebrate International Women’s Day?
VH1 Trailblazer Honors 2019 will honor Margaret Atwood, along with #MeToo founder Tarana Burke, Speaker of the House Nancy Pelosi, and Academy Award nominee Ava DuVernay. *
The special will air on both VH1 and Logo on March 8 at 9:00 p.m. ET/PT.
*Ava DuVernay is no relation to Atwood Society officer Denise Du Vernay.
At Equality Now’s fourth annual Make Equality Reality gala on December 3, 2018 in Los Angeles, Margaret Atwood was honored for “her longtime advocacy of women’s rights.”
Variety reports that, in her speech at the gala, Atwood said, “Enforced pregnancy is a form of slavery. It is time it’s recognized as such.” A while discussing the importance of hope, THR quotes Atwood remarking: “It’s not enough just to hope. You actually then have to do something other than hoping.”
Equality Now and supporters seek to challenge and defeat repressive laws regarding women’s rights, including sex trafficking, sexual violence, and ritual genital mutilation through an international network of activists.
If you’re like us, you’ve been dying to know what happens to Offred after the book leaves off and how future historians got a hold of Offred’s story. After 35 we will finally get some answers as a sequel is coming. It will be called The Testaments and will take place 15 years after The Handmaid’s Tale left off. Atwood tells us that the story will be told by three female characters, and the publisher promises that “the book answers the question that has tantalized readers for decades: What happens to Offred?”
Read more at NPR.
Also, cheers to Stephen Colbert for his quip: “Margaret Atwood is writing a sequel to The Handmaid’s Tale, and Donald Trump is almost finished with the prequel.”
Just posted today on Literary Hub and it’s amazing and right on time–
Update on Werewolves
In the old days, all werewolves were male.
They burst through their bluejean clothing
as well as their own split skins,
exposed themselves in parks,
howled at the moonshine.
Those things frat boys do.
Went too far with the pigtail yanking—
growled down into the pink and wriggling
females, who cried Wee wee
wee all the way to the bone.
Heck, it was only flirting,
plus a canid sense of fun:
See Jane run!
But now it’s different:
No longer gender specific.
Now it’s a global threat.
Long-legged women sprint through ravines
in furry warmups, a pack of kinky
models in sado-French Vogue getups
and airbrushed short-term memories,
bent on no-penalties rampage.
Look at their red-rimmed paws!
Look at their gnashing eyeballs!
Look at the backlit gauze
of their full-moon subversive halos!
Hairy all over, this belle dame,
and it’s not a sweater.
O freedom, freedom and power!
they sing as they lope over bridges,
bums to the wind, ripping out throats
on footpaths, pissing off brokers.
Tomorrow they’ll be back
in their middle-management black
and Jimmy Choos
with hours they can’t account for
and first dates’ blood on the stairs.
They’ll make some calls: Good-bye.
It isn’t you, it’s me. I can’t say why.
They’ll dream of sprouting tails
at sales meetings,
right in the audiovisuals.
They’ll have addictive hangovers
and ruined nails.
Every entering freshman to Northwestern University this fall will receive their own copy of The Handmaid’s Tale and will be exposed to a year full of events related to the book. (For context, in the 2017-2018 school year, there were 91 different events on campus related to the One Book selection– this year promises to be as robust, if not more so!)
Atwood will be at Northwestern to give keynote talks on October 30, 2018, a talk each on both the Chicago and the Evanston campuses, where One Book Faculty Chair Helen Thompson also plans to ask Atwood questions about “The Handmaid’s Tale, its recent television adaptation, and its centrality to the current cultural moment.”
For more information on Northwestern’s One Book program, see its webpage here.