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For the International Conference,14th-16th October 2021,
at the University of Göttingen, Germany
‘ARTPOLITICAL’ – MARGARET ATWOOD’S AESTHETICS
We will hold a Pre-conference Symposium [Online]
The online event will take place on Friday, 12 March, 16-19:30h Central European Time (via Zoom).
Please register with your full name via Eventbrite: https://www.eventbrite.com/e/artpolitical-margaret-atwoods-aesthetics-pre-conference-online-event-tickets-138221812161
Also, please note: The deadline for the Margaret Atwood Society Best Paper Award for the October conference has been updated to 1 September 2021.
The MLA Press published Approaches to Teaching Atwood’s The Handmaid’s Tale and Other Works in 1996. Now the press is seeking contributions for a new volume to explore both the teaching of Atwood’s publications since that time and 21st-century approaches to her earlier works, such as strategies for teaching The Handmaid’s Tale that draw on the Hulu TV series, the graphic novel, and/or The Testaments.
If you would like to propose an original essay for the upcoming Approaches to Teaching the Works of Margaret Atwood volume, please submit an abstract of approximately 500 words in which you describe your approach or topic and explain its usefulness. The focus of your essay should be pedagogical, and the abstract should be as specific as possible. Please send your abstract and a short CV to Lauren Rule Maxwell (firstname.lastname@example.org) by August 31, 2020. Please send any supplemental materials (e.g., course descriptions, course plans, syllabi, assignments, bibliographies, or other relevant documents) as separate attachments. Surface mail submissions can be sent to Lauren Rule Maxwell; Department of English, Fine Arts, and Communications; The Citadel; 171 Moultrie Street; Charleston, SC 29409.
The Margaret Atwood Society is thrilled to announce what we hope is the first of many conferences completely dedicated to the works of Margaret Atwood, this multidisciplinary conference, to be titled “‘Artpolitical’ – Margaret Atwood’s Aesthetics,” will be hosted by University of Göttingen, Germany and will be held October 14, 15, and 16, 2021. The conference will be conducted entirely in English. The conference is created and chaired by longstanding Atwood Society member Dr. Dunja Mohr, Erfurt University and her colleague and fellow Atwood Society member Dr. Kirsten Sandrock, Göttingen University. Frankfurt (FRA) is the nearest international airport.
Full CFP and additional information can be found here.
The 92 minute documentary on Atwood’s life and literary career, Margaret Atwood: A Word after a Word after a Word is Power screens at the Lightbox in Toronto on Nov. 7. It then opens Nov. 8 in Hamilton and Waterloo, Nov. 11 in Edmonton, Nov. 13 in Ottawa, and Nov. 14 in Toronto.
In the United States, the documentary will start streaming Nov. 19 on Hulu. The European debut will be at the International Documentary Film Festival in Amsterdam on Nov. 23. The doc has been sold to other foreign territories besides Hulu, including ARTE in France and Germany, Sky in the U.K., and HBO for Central Europe, on top of sales to Australia, New Zealand, The Netherlands, Finland, Sweden, and even Iran.
The documentary is co-directed by Nancy Lang and Peter Raymont, who shadowed Atwood and her partner Graeme Gibson for twelve months. Sarah Polley, Adrienne Clarkson, Elisabeth Moss, and Volker Schlöndorf also appear, and Tatiana Maslany reads Atwood’s poetry and prose.
For more information on the documentary, see these articles in the Hollywood Reporter, National Post, Community Press, and Now Toronto. Follow our social media for more information on specific countries’ release dates as they become available.
Margaret Atwood’s novel The Testaments, the long-awaited followup to 1985’s The Handmaid’s Tale, has won the 2019 Booker Prize. The prize is split with British writer Bernardine Evaristo for her lively feminist work, an eclectic book the author calls “fusion fiction” called Girl, Woman, Other. Atwood and Evaristo will share the £50,000 prize.
Both are are gracious in sharing the prize:
“It would have been quite embarrassing for a person of my age and stage to have won the whole thing and thereby hinder a person in an earlier stage of their career from going through that door,” said Atwood.
Evaristo said, “I’m just so delighted to have won the prize. Yes, I am sharing it with an amazing writer. But I am not thinking about sharing it; I am thinking about the fact that I am here and that’s an incredible thing considering what the prize has meant to me and my literary life, and the fact that it felt so unattainable for decades.”
After a tie in 1992, Booker changed its rules to prevent another tie from occurring, but after deliberations went on for five hours, judges “essentially staged a sit-in in the judging room.” According to Chairman Peter Florence, “Our consensus was that it was our decision to flout the rules,” he said. “I think laws are inviolable and rules are adaptable to the circumstance.”
This is Atwood’s second Booker; she won in 2000 for The Blind Assassin. Evaristo is the first black woman to win the Booker. “I hope that honor doesn’t last too long,” she said in her acceptance speech.
A note about The Booker Prize:
The Booker is the most prestigious British literary award and comes with a handsome prize of £50,000. The prize was originally known as the Booker–McConnell Prize, when the Booker–McConnell company began sponsoring the prize in 1969. Later it became known as simply the Booker Prize. It was previously awarded to a full-length novel written in English by an author from the Commonwealth of Nations or Ireland, but now can be awarded to any English language novel published in the UK. As of June 1, 2019, the Booker Prize is now sponsored by the Crankstart Foundation, of California not the Man Group as it was for the past 18 years (when it was referred to as the Man Booker Prize), and is known again as simply the Booker Prize.
The Midwest Modern Language Association 61st annual convention will be held in Chicago November 14-17, 2019. The Margaret Atwood Society-sponsored panel will be Saturday the 16th at 1:00. The title is Duality & Doubles in the Novels of Margaret Atwood. The Treasurer of the Society, Denise Du Vernay, is chairing the panel, and Society President Karma Waltonen is presenting a paper on Alias Grace. Three other member presenters will be discussing The Handmaid’s Tale and the MaddAddam trilogy.
Registration and location information can be found here.
From Fathom events:
On Tuesday, September 10, the wait will be over . . . The Testaments, Margaret Atwood’s highly anticipated sequel to The Handmaid’s Tale, will be revealed. The momentous literary event will be celebrated with an exclusive cinema event, captured live and broadcast later that same evening — as Fane Productions present an evening with the Canadian novelist, poet, literary critic, and inventor.
The publication of Atwood’s The Handmaid’s Tale in 1985 and the current, Emmy Award-winning television series have created a cultural phenomenon, as handmaids have become a symbol of women’s rights and a protest against misogyny and oppression. Atwood will be interviewed by broadcaster and author Samira Ahmed in a conversation spanning the length of Atwood’s remarkable career, her diverse range of works, and why she has returned to her seminal handmaid story, 34 years later.
“Dear Readers: Everything you’ve ever asked me about Gilead and its inner workings is the inspiration for this book. Well, almost everything! The other inspiration is the world we’ve been living in.” –Margaret Atwood
With exclusive readings from the new book by special guests Ann Dowd, Lily James, and Sally Hawkins, this will be an unmissable and intimate event with Atwood, spotlighting her signature insight, humor and intellect.
The Toronto Star announced today that the books longlisted for the Scotiabank Giller Prize for fiction have been chosen.
Twelve Canadian books are on the list for the Giller Prize for fiction, selected from a field of 117 books. Margaret Atwood’s fiction has made the Giller list three times, her novels Alias Grace in 1996 (which won), Oryx and Crake in 2003, and The Year of the Flood in 2009. Please see the article in the Star for information on this year’s other eleven nominees.
Six finalists will be announced Sept. 30, and the Giller winner will be announced at a gala in Toronto on Nov. 18.
UPDATE: On Sept. 30, The Testaments was not included on the shortlist.
About the Giller Prize for fiction: The prize was founded in 1994 by businessman Jack Rabinovitch to honor his wife, literary journalist and former Toronto Star books editor Doris Giller. The prize is $100,000 CAD.